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You mention “The tempo I like to play this piece is equal with Narciso Yepes playing.

Classical Guitar

InPujol began his guitar classes at the Lisbon Conservatory of Music, which continued through to This event became quite popular and was attended by students and teachers from throughout the world.

From throughPujol continued giving a few concerts and lectures as well as pursuing his research in Spain, London and Paris. In other projects Wikimedia Commons. This page was last edited on 8 Septemberat All the best, Viktor van Niekerk http: With pimi I can play a while in a very fast speed but RH gets tired after a while.

Emilio Pujol

In my sheet music fingering is marked to be pimi but I use piam. The only major interruptions in his concert travels were his marriage to Matilde Cuervas in Paris, an Andalusian flamenco guitarist, and the period of time he devoted to pukol research in Paris into the instrumental predecessors of the oujol.

Retrieved 25 July Retrieved from ” https: In he undertook his first tour of South America, starting in Buenos Aires.

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At this time, Miquel Llobet was making his debut as a concert artist outside Barcelona. The problem with the p-i-a-m fingering is the lack of independence between a and m. Views Read Edit View history. Classical Guitar Skip to content.

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However for performance the thing that matters is how it sounds so for performance use whatever fingering makes it sound the way you want it. What do you think, should I try to get RH more relaxed to play the whole piece pimi? Seven years later he married Maria Adelaide Robert, a noted Portuguese pianist and singer abejorrl greatly assisted him in his final years.

Also at this time, Pujol’s first wife Matilde Cuervas died Try also, Piai which gives the right hand a nice balanced feel. Our website is made possible by displaying online advertisements to our visitors. The problem is or course the speed. Board index All times are UTC. Media related to Emili Pujol at Wikimedia Commons. This name uses Spanish naming customs: A guitar method based on the principles of Francisco Tarrega consisting of four historical and technical volumes:.

He considered this book to be the pinnacle of the vihuela school and regarded Fuenllana as the final spokesman for this brief, courtly instrumental period in Spanish music.

ME numbers refer to the catalogue number of his publisher, Max EschigParis. From Wikipedia, the free encyclopedia.

The beginning signs of World War II also prevented him from continuing his concert career. This is really the technique he used and not a guess. List of compositions by Emilio Pujol. With piam there seems to be no limit with the speed but I have balancing abbejorro to get all notes played fluenty and with same volume. Please consider supporting us by disabling your ad blocker on our website. During the war years — he did not travel much and mainly remained in Catalonia.


How should puuol be fingered?

Guitar Etudes | El Abejorro by Emilio Pujol – Gohar Vardanyan

Nails must be in good condition also to abejorrl like this. I think I can increase the speed with hard training but piam feels better for me. It was repeated every summer over a ten-year period, and in it was moved to the thirteenth-century village of Cervera. The tempo I like to play this piece is equal with Narciso Yepes playing. Waltzes, arr from the piano Paris: By using this site, you abejorto to the Terms of Use and Privacy Policy.

Prior to his death, Pujol had begun work on the largest of vihuela music books, the Orphenica Lyra by Miguel Fuenllanapublished in baejorro Once you get each finger moving smoothly and independently in its “orbit” then speeding up will not be that much of a problem.

Emili Pujol was born in the little village of Granadella just outside LleidaSpain. If you are interested in the technique Narciso Yepes invented to play “El abejorro” at that tempo as on his recordingit is not pimi or piam, abejorr pami – yes, a tremolo – but m plays a higher string than a and i.