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Musica Poetica. Musical-Rhetori cal Figures in German Baroque Music Dietrich Bartel of Nc-bra the U”I’Cr,’l) of: . Dietrich Bartel. Musica Poetica: Musical-Rhetorical Figures in the German Baroque. Lincoln and London: University of Nebraska Press, xv, pp. Musica poetica: musical-rhetorical figures in German Baroque music / Dietrich Bartel Bartel, Dietrich Bartel then turns to more detailed considerations of the.

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Plea in defence; defending one’s words or acts with reasonable excuses; excusing by necessity.

Sometimes, the expression of the impossibility of expression. Composed of anaphora and epistrophecoenotes is simply a more specific kind of symploce the repetition of phrases, not merely words.

Musica Poetica: Musical-Rhetorical Figures in German Baroque Music – Dietrich Bartel – Google Books

A homophonic passage within a contrapuntal texture. A series of similarly structured elements having the same length. A Guide for Students of English Literature. Rhetorical repetition that is grammatically superfluous.

Monthly downloads Sorry, there are not enough data points to plot this chart. Musical Classes of Figures: A compositional device in muslca a principal voice is imitated by subsequent voices. Open Preview See a Problem?

Lanham quotes Emilia to Othello V, ii”O gull!

A figure apparent in delivery. Description of a place. Renaissance Poetic and Twentieth-Century Critics. Joseph marked it as to-read Oct 08, To Quintilian, can refer to a naturally meager style, or an aggressively and intentionally plain one.


Musica Poetica Musical-Rhetorical Figures in German Baroque Music

To marvel at something rather than gartel state it in a matter of fact way. The term ” alliteratio ” was coined by Giovanni Pontano in as a further specification of the musifa annominatio. Fergal marked it as to-read Aug 31, BartelMP; omission of conjunctions between words, phrases, or clauses. University of California Press, A kind of summary employed in the peroratio. Denial of the contrary; opposite of amplification; understatement that intensifies, e.

Musica Poetica: Musical-Rhetorical Figures in German Baroque Music

Literary Theory of Renaissance Europe. Musically, the anadiplosis may be a repetition of a mimesis.

Complaining against injuries or pleading for help. The Ad Herennium author refers to contrarium as a figure perhaps because of the opposition and frequent parallelism of such statements when expressed concisely. Tellycat marked it as to-read Nov 15, The description of an imaginary place. Metaphors of Depth in German Musical Thought: Paul Collins – As a figure, ” encomium ” means praising a person or thing, but occuring on a smaller scale than an entire speech.

Musixa dividing of a whole into its parts.

Musica Poetica: Musical-Rhetorical Figures in German Baroque Music by Dietrich Bartel

Published July 1st by University of Nebraska Press. Repetition of two different phrases: Dietrich Bartel then turns bwrtel more detailed considerations of the musical-rhetorical figures that were developed in Baroque treatises and publications. Bagtel kind of meiosis. This article has no associated abstract. If the figure is highlighted as a link, you can click on it to get more information. Ahle, Burmeister, Mattheson, Vogt, J. To see what your friends thought of this book, please sign up.


A stringing together of impossibilities; the confession that words fail us. Princeton University Press, A mock given with an accompanying gesture, such as a scornful countenance.

For those figures that are both literary and musical, clicking the figure name link takes you to Silva rhetoricae for literary information. Behnam Zarandi rated it really liked it Dec 29, Preview — Musica Poetica by Dietrich Bartel. However, as Quintilian notes, this is more properly understood as a mksica of argumentation employing the topic of invention, contraries.

A transitional statement in which one explains what has been and what will be said. Figures may be literary, musical, or both, and are identified gartel follows: The imitation of another’s gestures, pronunciation, or utterance.

Sustaining the pronunciation of a word or phrase because of its pleasant sound. Is Music a Universal Language? Nicholas Cook – – Sterling. Carolyn Beckingham – – Sussex Academic Press. Repeating the same word variously throughout a sentence or a thought.